Pieces of the Frame - PaperbackPieces of the Frame
Published by Farrar, Straus & Giroux
Hardcover: 0-374-23281-4; $19.95US
Paperback: 0-374-51498-4; $13.00US

Pieces of the Frame is a gathering of recent and memorable writings by one of the best journalists and storytellers of our time. They take one from the backwoods roads of Georgia, and a picaresque journey along the boundary between man and nature in the company of two guides with a practiced, shrewd knowledge of both sides of the line ("Travels in Georgia"); to the high altitude and higher stakes at Ruidoso Downs in New Mexico, where a small-time Arkansas horseman attempts to win the world's richest horse race, the All-American Futurity for two-year-old quarter horses ("Ruidoso"); to Atlantic City, where McPhee chronicles social decay against the background of the game that immortalized the city's geography ("In Search of Marvin Gardens"); to Scotland, where a pilgrimage for art's sake leads to a surprising encounter with history on a hilltop with a view of a fifth of all Scotland ("From Birnam Wood to Dunsinane").

Pieces-HC.jpg (16391 bytes)McPhee's writing is more than informative; these are stories, artful and full of character, that make compelling reading. They play with and against one another, so that Pieces of the Frame is distinguished as much by its unity as by its variety. Subjects familiar to McPhee's readers--sports, Scotland, conservation--are treated here with intimacy and a sense of the writer at work.

Whether he is profiling the director of the National Park Service ("Ranger") or recalling the time he almost played basketball in the courtyard of the Tower of London ("Basketball and Beefeaters"), McPhee endows his world with warmth, companionability, and a sense of fine spirits--not at a unlike the greatest of Scotch whiskies, The Glenlivet ("Josie's Well").

Reviews

One always has the sense with McPhee of a man at a pitch of pleasure in his work, a natural at it, finding out on behalf of the rest of us how some portion of the world works. --Edward Hoagland, The New York Times


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